Gypsies in Nineteenth-Century England :: European History Essays

Gypsies in Nineteenth-Century EnglandMissing Works Cited despite the important intention Gypsies played in the nineteenth-century, they were non automatic in ally sure as equals in beau monde. In fact, from the moment they set foot on European soil, the Gyspies were misconceive and even fe ared. These feelings became manifest in losss, which led to homophobic actions. At the resembling time, however, Victorian society found itself fascinated with these strange Gypsies. The gypsy report in Jane Eyre reflects the ambiguous attitude of Victorian society toward Gypsies. The depiction of the gipsy at Thornfield Hall and the characters reactions to her are reflections of prejudices based on the Gypsies skin distort, means of life, and traditions, and are also reflections of discriminatory treatment the Gypsies suffered. Simultaneously, many an(prenominal) of the descriptions of the itinerant are also the product of a romanticized view of Gypsies, which manifests itself whol e kit and caboodle of fiction by many other authors through forbidden the Victorian Era. The Victorians sign impression of the Gypsies was not a favorable one. At first, the prejudices against Gypsies had obvious sources. colonized society has eternally had a fear of foreigners, so naturally, the earliest answer to the Egyptian immigrants was rooted, generally, in a xenophobic fear and mistrust of aliens (Mayall, British Gypsies 8). in like manner being mistrusted as foreigners, the Gypsies fell victim to racial prejudice because of the color of their skin. Even presbyopic before the nineteenth-century, the conviction that blackness denotes inferiority was already well-rooted in the horse opera hear. The nearly black skins of many Gypsies marked them out to be victims of this prejudice (Kenrick and Puxon 19). Even if Charlotte Bronte never saw a Gypsy, she reflects these perceptions of them in her description of the Gypsy that visits Thornfield Hall. The Gypsys most noticeabl e feature in Sams mind as he describes her to the assembled guests is that she is almost as black as a crock (217, ch. 18). Later, when Jane goes for her converse with the Gypsy, she notes that her caseful looked all brown and black (221, ch. 19). Since the Gypsy turns out to be Mr. Rochester, and there is no indication that he actually blackened his face for his disguise, it may be that the Gypsys black skin is an imagined product of the characters preconceived notions round what Gypsies look like. whatever the case, the fact that Bronte makes the Gypsys skin color prominent in the characters description of her reflects the racial prejudice that existed toward Gypsies in Victorian England.Gypsies in Nineteenth-Century England European History EssaysGypsies in Nineteenth-Century EnglandMissing Works Cited Despite the important role Gypsies played in the nineteenth-century, they were not automatically accepted as equals in society. In fact, from the moment they set foot on Eur opean soil, the Gyspies were misunderstood and even feared. These feelings became manifest in prejudices, which led to discriminatory actions. At the same time, however, Victorian society found itself fascinated with these strange Gypsies. The gypsy motif in Jane Eyre reflects the ambiguous attitude of Victorian society toward Gypsies. The depiction of the Gypsy at Thornfield Hall and the characters reactions to her are reflections of prejudices based on the Gypsies skin color, way of life, and traditions, and are also reflections of discriminatory treatment the Gypsies suffered. Simultaneously, many of the descriptions of the Gypsy are also the product of a romanticized view of Gypsies, which manifests itself works of fiction by many other authors throughout the Victorian Era. The Victorians initial impression of the Gypsies was not a favorable one. At first, the prejudices against Gypsies had obvious sources. Settled society has always had a fear of foreigners, so naturally, the e arliest response to the Egyptian immigrants was rooted, generally, in a xenophobic fear and mistrust of aliens (Mayall, British Gypsies 8). Besides being mistrusted as foreigners, the Gypsies fell victim to racial prejudice because of the color of their skin. Even long before the nineteenth-century, the conviction that blackness denotes inferiority was already well-rooted in the Western mind. The nearly black skins of many Gypsies marked them out to be victims of this prejudice (Kenrick and Puxon 19). Even if Charlotte Bronte never saw a Gypsy, she reflects these perceptions of them in her description of the Gypsy that visits Thornfield Hall. The Gypsys most noticeable feature in Sams mind as he describes her to the assembled guests is that she is almost as black as a crock (217, ch. 18). Later, when Jane goes for her interview with the Gypsy, she notes that her face looked all brown and black (221, ch. 19). Since the Gypsy turns out to be Mr. Rochester, and there is no indication t hat he actually blackened his face for his disguise, it may be that the Gypsys black skin is an imagined product of the characters preconceived notions about what Gypsies look like. Whatever the case, the fact that Bronte makes the Gypsys skin color prominent in the characters description of her reflects the racial prejudice that existed toward Gypsies in Victorian England.